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(For Naomi Farquhar)

They come here in the Voar
to go to Iceland
white & loud & tired
& all about the lochside
they had flown from the North of Africa
to rest on Loch Calder

I stopped counting after maybe twenty
each one was more fantastic than the last
they honked for hours & I sat 
& watched them come & go
then after listening with my eyes closed 
I opened them
the loch was like the Cassiemire under snow

& yet this peedie creature came towards me
all gentle & wild & complete in herself
she stared at me for at least half a minute
just to see what side of life I was on
then rose up in the air like a miracle
she flew above me & around the loch
then off into the blue North
& was gone

Naomi, much lately have I seen death
but what I tell you is about life
a swan on Loch Calder
made it all clear
she was my love
she was my wife
away in an instant
away to the Arctic
& I still here

at some point in the future
when I am black
& she is still white
I will follow her to Iceland
into the cold & salty night

A Swan on Loch Calder

George Gunn

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I’ve a hankerin. 

A recht hankerin 

for french toast, 

the wye you makk it.

Mines aye turns oot spongy, 

owerdeen, nae sae guid

nae metter ma method -

usin butter or olive oil, 

time soakin the breid, 

experimintin wae pans

an livvels o heat, 

bit nivver recreatin yours.

Aa shut ma een, aa smell it,

aa the chef’s kissies, crisp edges, jist perfect. 

Picter ma mou openin tae ate it, slaverin,

watchin you, watchin me, 

waitin for ma question 

‘Babe, how dae ye mak it sae fine?’

Yer best Elvis replies, 

‘Made wae a spoonfulla lurve Momma’ 

ye wink

oot o existence.

As aa open ma een, ma hert catches up.

I’ve a hankerin, 

a recht hankerin,

for you.

Hankerin

Jo Gilbert

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No more music now, 
not a note shall flow
from that small house at Yesnabay
just south of Skara Brae
 
a silence now at Sandwick
tucked in and bedded down
amidst the coastal cliffs 
bricks built up like sea stacks
 
a shelter there in Stromness
from wind-crashed waves
from the rugged, wild, enchanting 
and the impossible to tame.
 
A pause, here 
for stories, 
for humour 
and for drams.  
 
As birds of every colour 
circle overhead, 
words wash
and rush like rapids
through our 
reeling heads
 
as we do our best
to content ourselves 
with silence.

Julie McNeill

Julie McNeill

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I was in a beach bar,
a bit drunk, when two sparrows
sped between branches,
fretwork and the slack

jawed gaze of children,
and suddenly two lines of poetry
entered my head, lines
of unique cleverness.

Keen to photograph the sparrows
I used crumbs from some cheap
pizza snack I had
in the bottom of my bag,

tossing them below
my feet, then like an idiot
rubbed my fingers
into my eyes. I was blind

and weeping into the wash of sky
when I realised I had
forgotten the words:
they were not my words

anymore anyway,
but a blur of fawn
and blue and air and biscuit,
the poetry of sparrows.

The Poetry of Sparrows

Hugh McMillan

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